Alfred Hitchcock’s "Psycho" (1960) remains the definitive exploration of an obsessive mother-son bond. Although Norma Bates is physically absent for most of the film, her psychological presence is absolute, having completely consumed her son Norman’s identity. This "devouring mother" archetype appeared frequently in mid-century literature and film, representing a fear of feminine domestic power.
In Japanese cinema, **Yasujirō Ozu's "Tokyo Story" (195 real indian mom son mms new
In literature, "The Goldfinch" by Donna Tartt uses the sudden loss of a mother as the starting point for a son’s entire life. The memory of the mother becomes a ghost that the son chases, showing that the relationship remains active even in death. The Modern Shift: Breaking the Tropes her psychological presence is absolute