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Sinhala cinema, originating in 1947 with Kadawunu Poronduwa , has evolved from nationalistic storytelling to a hybrid media landscape incorporating mainstream films, teledramas, and user-generated digital videos. This paper examines the historical trajectory of Sinhala filmography, the rise of popular video formats (music videos, short films, vlogs), and the transformative role of OTT platforms and social media. It argues that while theatrical Sinhala cinema faces commercial challenges, popular videos on YouTube and TikTok have democratized content creation, creating new cultural narratives and audience engagement models.