Note: As this is a raw analysis, interpretations of dialogue are estimated based on context.
Haruba’s paneling in Chapter 172 is particularly noteworthy. Without the clutter of translated text, you can appreciate the use of negative space. There is a three-panel sequence where Fighter D simply breathes —and the changing angle of his eyes tells an entire story of regret, rage, and resolve.
Note: As this is a raw analysis, interpretations of dialogue are estimated based on context.
Haruba’s paneling in Chapter 172 is particularly noteworthy. Without the clutter of translated text, you can appreciate the use of negative space. There is a three-panel sequence where Fighter D simply breathes —and the changing angle of his eyes tells an entire story of regret, rage, and resolve.
