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In Dil To Pagal Hai (1997), she played a dancer who was unapologetically better than the hero. In Devdas (2002), her Chandramukhi was not a courtesan; she was a CEO of seduction who paid for the hero’s liquor. In her dance numbers, the camera worshipped her, but she looked directly at the camera—through the screen, into the eyes of the viewer—daring them to look away.