India’s Gangs of Wasseypur (2012, two parts totaling over 5 hours) functions as a bloody, musical gangster saga where every song and shootout accrues mythic weight. Meanwhile, Thailand’s Apichatpong Weerasethakul ( Uncle Boonmee Who Can Recall His Past Lives , 2010) uses meditative pacing to blur life, death, and reincarnation. His films feel long because they reject narrative urgency—they ask you to breathe with the jungle.
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