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The ongoing around casting and industry hiring practices show that cinema is not just reflecting society; it is being forced to examine its own internal culture of hierarchy.

Adoor Gopalakrishnan’s Elippathayam (The Rat Trap, 1981) is a masterclass in using culture as allegory. The film depicts a feudal landlord trapped in his crumbling tharavadu , unable to adapt to the post-land-reform communist era of Kerala. The rat running around the house is a metaphor for the decaying Nair aristocracy. The film didn’t just tell a story; it dissected the socio-cultural trauma of a community losing its identity. www mallu hot in hit

As long as there are monsoon rains hitting tin roofs and fishermen arguing about politics at dawn, there will be a story there. And Malayalam cinema will be there to tell it. The ongoing around casting and industry hiring practices