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(1928), directed by J.C. Daniel. Unlike early Indian films that often focused on mythology, Malayalam cinema established a tradition of social realism A crash course in Malayalam New Wave cinema, Part 1

For decades, Malayalam cinema ignored its own savarna (upper-caste) biases, producing films where Nair tharavads (ancestral homes) were romanticized and Dalit lives were invisible. The new wave has shattered this. (1928), directed by J

A film like Joji (2021) (an adaptation of Macbeth ) has barely any dialogue. But Njan Prakashan (2018) is a firehose of witty, self-deprecating monologues. The best Malayalam screenwriters—Syam Pushkaran, Murali Gopy, Unni R.—write dialogue that functions like short stories. Part 1 For decades